I am thrilled to announce that I will be performing at the CalArts Experiments in Electronic Sound Festival this fall!
Date: Friday, September 25, 2026
Location: CalArts School of Music (Valencia, CA)
I will be presenting an improvised electroacoustic performance titled Carry-On Study no. 1. The piece is built around a single, strict creative constraint: every piece of equipment I use for the performance must fit entirely within a single carry-on suitcase!
My gears are already tu…
I am proud to share a look back at Wrapped Presence, a unique shadow-puppet performance that recently debuted at the Charles B. Wang Center at Stony Brook University. This project was a deeply rewarding collaboration, inspired by the intricate beauty of Wonju Seo’s textile exhibition, Through the Light: Contemporary Jogakbo.
The show traces the moving history of four generations of Korean women, using the cultural tradition of jogakbo—patchwork wrapping cloths—as a lens for stories of p…
Finished with my performance at the Overdrive.nyc festival. Couldn't be more happy, and honored to be featured in such company. Big thanks to Tobias Fandel, Itzá García and all involved in the organization of the festival!
From left to right: Itzá García, ?, Andre Bregegere, Jaehoon Choi, Trevor Van de Velde, Jaime Oliver La Rosa, Tobias Fandel, ?, Teté Leguía, Tianfang Jia.
Concert Program:
Here is a video of a recent performance of Igor Shamo's Prelude in F-sharp Minor (1962) recorded live on Saturday, September 30, 2023, at the National Opera Center (330 Seventh Avenue, New York City). Mirna Lekić, piano, André Brégégère, live video. Enjoy!
Here is a video of a recent performance of Natalie Draper's Fractured Bells, recorded live on Saturday, September 30, 2023, at the National Opera Center (330 Seventh Avenue, New York City). Mirna Lekić, piano, André Brégégère, live video. Enjoy!
Another no-input jam, with some visual effects made in Touch Designer. Enjoy!
A quick jam to break out a new mixer I got for the purpose of no-input play (i.e., using feedback loops within the mixer itself as sole sound sources). I also use the Empress Zoia as my effect chain (low-pass filter, ping-pong delay, plate reverb).
The video includes everything, from the moment I turn on the gear to the moment I turned it off. I did speed up some of the setup at the beginning. If you are impatient, the real fun begins around 3:30, when I bring in a second feedback loop.
…Hi there! It has been a while, but here are two recent electronic pieces made with VCV Rack 2 (virtual modular synthesis). Enjoy!
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